Details Transform Your Manuscript From Plain Broth to a Rich Lobster Bisque #WriterWednesday
Wednesday, January 11th, 2012Is your writing a little bland? Need to add a little spice to the soup? It’s my honor to welcome friend and fellow author Christi Barth. Let’s get cooking!
My mother is not an adventurous cook – and that is putting it very politely. Growing up, a standard dinner consisted of chicken breast poached in water (which gives it no flavor whatsoever) and over boiled zucchini (which leaches out all of the flavor). Give me a second to shudder at the memory. It’s a wonder I grew up to be such an adventurous foodie.
I’m sharing my childhood trauma with you because writing is similar to cooking. As a contest judge, I’ve read more than my fair share of flavorless entries. Even with correct grammar and a forward moving plot, a book can still fall flatter than a whisper-thin crepe. That is the difference between a simple narrative/dialogue exposition and a full fledged story. Details are the seasoning. What is spaghetti sauce without herbs and spices? Ketchup! Who wants to eat a plate of pasta covered in that? But once you add oregano, fennel, salt, pepper and red wine, now you have a sauce.
Just adding in a little color isn’t enough. Identifying each speaker as they enter a scene by describing their clothes leaves the distinct impression a writer worked off a checklist. In addition to stark details like a blue shirt or blond hair, you want to add in finer points that transmit the feel of the character. Let’s compare and contrast some descriptions from my recent release Cruising Toward Love:
Mrs. P. was an old lady who liked to gossip.
Or……
With a smack of her loose dentures, Mrs. P. leaned across the counter. She had a reputation for twisting and squeezing to extract every last drop of gossip, leaving her victims as raw and wrung out as an over juiced orange.
Another example:
Zoe was hungover.
Or……
“My tongue feels like the fuzzy green mold on month-old leftovers.” Zoe slid bonelessly into a chair.
One more choice for you to ponder:
A man who must be a photographer stepped forward. He wore a blue polo shirt that matched his eyes and was heavily muscled.
Or……
A tall man with a camera around his neck, one in his hands and another in a pouch at his waist stepped forward. His biceps strained against the confines of his aquamarine polo shirt identifying him as crew. Eyes almost the same color as his shirt twinkled from behind horn rimmed glasses.
If you have trouble with this, don’t panic! I recommend pounding out your first draft. Squeeze out your plot, and toss in the basic dialogue. Once you finish – either a chapter or the entire thing – go back and, only by using the cues in what you’ve written, try to actually draw a picture of the scene (no real drawing talent required). If all you have are two naked stick figures on a blank page with maybe one doorway, then you’ve left out some vastly important minutiae.
This process can help you identify the holes where you need to work in descriptions. Does this mean you have to describe every item on a desk from the keyboard to the post-it notes to a legal pad? Of course not. Mention a cluttered desk, buried under listing stacks of paper. Or a chrome and glass desk with every item lined up with military precision. You’re picturing two very different people in different rooms at this point, aren’t you? And therein lies the fun.
A story with depth and richness resonates with readers. It gives them an emotional buy in, and transports them away from their everyday lives into the multi-layered world you’ve created. Think about it: would you rather have a five course meal, or a sandwich of lettuce and mayo on white bread? If anyone is stuck, put your problem lines in the comments section, and I’ll help flesh them out.
For information on all my books, please visit www.christibarth.com or swing by my blog at http://christibarth.blogspot.com .
Blurb: Can an unexplained breakup and ten years of heartache be cured by the romance – and endless buffets – of a tropical cruise? When her sister is left at the altar, small town librarian Zoe Balis jumps at the chance to take the bride’s unused ticket for the honeymoon cruise. But she didn’t count on sharing a cabin with the man who broke her heart ten years ago!
Army medic Nate Hyatt never told Zoe goodbye when he enlisted – or the real reason why he dumped her on prom night after a year as high school sweethearts. And he never stopped dreaming about the girl he left behind. Could this voyage be his chance to fix the worst mistake he ever made? After all, a Caribbean cruise should be romantic… if he can convince her to move past ten years of bitterness and hurt.
Once aboard the luxury liner, Zoe befriends a bored Internet mogul with more heart than tact. Nate vents his problems to a ship’s photographer battling PTSD. The four team up on an island hopping treasure hunt. The stakes grow higher with each of Zoe’s mysterious brushes with death. They race to discover why she’s a target and who’s behind it, while still competing in the treasure hunt. Zoe’s never gotten over her first love, and is tempted to let Nate back into her life. But she already lost him once. She’s not willing to risk loving a man whose career keeps him in a combat zone. Can Nate breach her defenses and suture her broken heart? Grab a deck chair and see if they survive the stormy relationship seas as they cruise toward love!
Remember the year two major studios both put out movies about an astroid hitting the earth? Remember the year every book in the B&N was about Anne Boleyn? Remember the year a certain author *cough* published a book about Cleopatra’s daughter and so did everybody else?


